About disarray
The history of DISARRAY began in early 1993. The band took the underground by storm, releasing its first independent album, Widespread Human Disaster, in 1995. By adopting the punk rock work ethic of trading CDs, utilizing fanzine press, and self-booking tours, the band had toured across the country multiple times and had released its second studio recording, Bleed, by 1996. More relentless touring followed, and the band continued their grass roots approach to promoting themselves, despite being virtually ignored by the recording industry.

In 1999 the band was signed to the fledging New Jersey based indie label Eclipse Records, most notable for launching the hard rock band Mushroomhead into prominence. DISARRAY recorded two full-length albums for the label, A Lesson In Respect in 1999 and the hard-hitting In the Face Of The Enemy in 2002. The latter of the two, produced by Dave Brockie of the masked supergroup GWAR, helped to lift the band out of underground obscurity, and into the much-deserved spotlight. Tours with GWAR, Biohazard, Clutch, and Crowbar put them in front of target audiences from coast to coast. Mainstream radio and press embraced the album as well. Among the many notable newsstand publications, Hit Parader raved on the release, saying it featured “a slew of memorable songs, first-rate musicianship, and enough power to light up Pittsburgh for a week.”

In the fall of 2003 guitarist/vocalist and founding member Chuck Bonnett took DISARRAY – rounded out by bassist Vance Wright and drummer Shane Harmon – to Sarasota, Florida to record its fifth studio effort with hardcore veteran Gary Meskil (Pro-Pain, Crumbsuckers) handling the production duties. The result is Edge Of My Demise, an eleven song display of southern aggression that is sure to please hard rock audiences across the globe. Thick grooves, chunky guitars, and a slew of memorable vocal hooks put DISARRAY way ahead of their competition in the current hard rock world. Tracks like “Punishment For Being Born,” “It’s About Time,” and “Better Days (That Have Never Come)” showcase the band’s solid songwriting capabilities and never-say-die lyrical themes.
 
 

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